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Films are social texts, produced within political, socioeconomic, cultural, and techno-logical milieus. Yet, popular films also play an important role in the production, circulation, and validation of cultural forms and norms and, as such, are constitutive of the social, economic, and political.
In
Cinematic space acts as a vital node in the flow, intersection, reconfiguration, and re-articulation of a range of competing discourses. Discourses work in the production of subjectivity and of the social imagination-öthe organising field of social practices.
Thus, cinematic representations are sites where:
"Economic and political contradictions are contested and resolved ... meanings are negotiated and relations of dominance and subordination are defined and contested''
Given the range and speed of technological developments in India within the last decade it is difficult to imagine that when film arrived in India it was regarded as a foreign technology a "tool of Europe and part of its dominating project''.
Yet, technology does not arrive with a pre-given set of cultural possibilities but necessarily articulates with local conditions and cultures which determine the ways in which it functions in a particular society. It is notable that Dadasaheb Phalke, referred to as the father of Indian cinema, "made explicit the links between film-making, politics and Indian statehood''.
As Indians, supported by a movement to promote indigenous enterprise, turned to filmmaking, cinematic representations could not remain the exclusive domain of the colonisers but although a popular definition of NRI is an overseas national of Indian origin (excluding those from Pakistan and Bangladesh) NRI may also include Indian nationals employed overseas. The precise definition of who counts as an NRI for particular investments or tax breaks in
Bollywood, the 'homeland' nation-state, and the diaspora became part of the terrain for the ideological confrontations between anti-colonialists and colonialists. With independence, Hindi cinema emerged as the de facto, if not de jure, national cinema of India, successfully transcending linguistic and regional divisions within the domestic market.
While the Nehruvian state refused to confer industry status on Hindi cinema in recognition of its role in nation-building, either in economic or cultural ideological terms, the industry became a willing partner in these processes as part of furthering its own commercial interests.
Sankaran Krishna argues that "something called 'India' becomes inscribed, in various ways, through representational practices ... which endow that entity with content, a history, a meaning and a trajectory.'' Hindi cinema performs the national and as a key player in the scripting of the nation shapes its meaning, signifying its internal and external borders. Ashish Rajadhyaksha notes how, after independence, Hindi cinema set about assembling a national market through the construction of unified, national, gendered, racialised, (hetero) sexed subject. In many parts of
At the site of the neighbourhood cinema hall, Hindi cinema served to suture highly fragmented local public spheres to create a public sphere at the national scale. The production of the 'national' draws on the feminine, sexed body to both explore and naturalise the aesthetic and moral markers of 'Indian-ness'. Thus, women's bodies become a site for inscribing and standing in for national territory, and so "it is on the notion of womanhood that cultural identity of the community and the nation is staked''.
Tamanna is surely gilded in the glory of its hard gained success. The happy days practically opened luminous and shone upon days success for the actress. With an eye on Bollywood, the actress took the good steps of cinema industries in Telugu and Tamoul. Although it arranged for a fifth position in popularity draws up a chart, with Nayantara with the bar, the actress has a strategy defined in the spirit. No wonder which it diplomatically moulded the manner the meter of popularity just as, play of number is constant.
The young beauty Tamanna is the hottest heroine in the industry today. Tamanna’s career zoomed after the film Happy Days. Telugu Actress Tamanna is now equally busy both in Tamil as well as Telugu.
Tamanna is a young and very good looking and is at ease in doing glamour roles. However Actress Tamanna is also very clear about her career in films. Tamanna says that while she is game for doing roles that require her to wear trendy outfits Actress Tamanna is however not ready to strip and expose.
Tamanna is also not ready to do kissing scenes in films. Actress Tamanna recently refused to enact a kissing scene in the Tamil remake of the Hindi film Jab We Met. Tamanna doesn’t want to act in any scene that she would find it embarrassing to watch with her family!
Tamanna says that how can she watch a film with her family members if she has done some steamy scenes in her film? She is even ready to forego some lucrative offers but is not ready to let go of her principles.
Slowly but firmly consolidating its position it is supposed to be the face of the cinema in next days at least in the south. With the higher banners of class and the popular heroes of the day to divide the screen with it like Surya in Ayan, Dhanush in Padikkathavan and Bharat in the Tamoul remake of the blow which we met, it has surely a length
Heroic looks, daredevil stunts and mesmerizing dance movements, together make Telugu mega star Chiranjeevi, a director's delight and one of the most adored actors in
Chiranjeevi Childhood & Education
The megastar of Telugu cinema, Chiranjeevi was born on
Early Years Of Film Career
After completing education, Chiranjeevi moved to
Journey Towards Stardom
Chiranjeevi shined as a star during 1980s, with critically acclaimed roles and big hits. His roles in "Punnami Naagu" (1980) and "Nyayam Kavali" (1981) received equal appreciation from the critics as well as the audience. The turning point in the film career of Chiranjeevi came with "Khaidi" (1983), which fetched him immediate stardom. This film marked the beginning of his dominance in Tollywood (Telugu film industry). Directed by A Kodanda Rami Reddy, the film became a super-hit. The director-actor duo proved to be one of the most successful combinations in the industry during that period. Subsequently, they worked together in 23 films, a majority of which proved to be block busters.
Known for his dare-devil stunts, Chiranjeevi met with a number of accidents on the sets. He was injured while shooting for the climax of the film "Sangharshana" (1983). Thereafter, he underwent an operation in
Blockbusters
Chiranjeevi continued to give hits to Tollywood. Some of his blockbusters are "Abhilasha" (1983), "Challenge" (1984), "Pasivadi Pranam" (1987), "Athaku Yamudu Ammayiki Mogudu" (1989), "Jagadeka Veerudu Athiloka Sundari" (1990), "Kodama Simham" (1990), "Gang Leader" (1991), "Rowdy Alludu" (1991) and "Gharana Mogudu" (1992). After a phase of low-career, during the mid 1990's, Chiranjeevi made a comeback in the late 1990's with another series of blockbusters, including Master (1997), Choodalani Vundi (1998), Bavagaru Bagunnara (1998) and Sneham Kosam (1999). "Indra" (2002) proved to be a mega hit and was one amongst the highest grossing movies of the year.
Praja Rajyam
With an ideology of social democracy, mega star Chiranjeevi entered the political arena and established "Praja Rajyam" party in 2008. The headquarters of his regional party is located in
Chiranjeevi Charitable Trust (CCT)
Chiranjeevi founded a charitable trust, named Chiranjeevi Charitable Trust, on
Personal Life
On
Awards
* 1982: Filmfare Award for Best Actor ("Subhalekha")
* 1984: Filmfare Award for Best Actor ("Inti Guttu" )
* 1987: Nandi Award for Best Actor ("Swayamkrushi")
* 1988: Filmfare Award for Best Actor ("Rudraveena"), Nargis Dutt Award for Best Feature Film on National Integration ("Rudraveena")
* 1992: Nandi Award for Best Actor ("Aapathbandhavudu")
* 1993: Filmfare for Best Actor Award ("Muta Mesthri")
* 1999: Filmfare Award for Best Actor ("Sneham Kosam")
* 2002: Nandi Award for Best Actor ("Indra"), Filmfare Award for Best Actor ("Indra")
* 2003: Tagore Award for Best Actor ("Santosham")
* 2004: Filmfare Award for Best Actor ("Shankar Dada MBBS ")
* 2006: Padma Bhushan Award
* 2007: Filmfare Special Legend Award
Filmography
1978 - Pranam Khareedu, Manavoori Pandavulu
1979 - Kothala Raayudu, Sri Rambantu, Idikatha Kaadu, Punaadi Rallu, I Love You, Kotta Alludu, Kukka Katuku Cheppu Debba,
Tayaramma Bangarayya
1980 - Rakta Sambandham, Mogudu Kavali, Prema Tarangalu, Love in Singapore, Thathayya Premaleelalu, Kaali, Nakili Manishi, Punnami Naagu, Mosagadu, Jathara, Aarani Mantalu, Chandipriya, Kottapeta Rowdy, Agni Samskaram
1981 - Kirayi Rowdylu, Chattaniki Kallu Levu , Priya, Srirasthu Subhamasthu, 47 Rojulu, Rani Kasula Rangamma, Ooriki Ichina Maata, Nyayam Kavali, Prema Natakam, Tirugu Leni Manishi, Todu Dongalu
1982 - Bandhalu Anubandhalu, Manchu Pallaki, Mondi Ghatam, Yamakinkarudu, Billa Ranga, Patnam Vachina Prativrathalu, Tingu Rangadu, Radha My Darling, Sitadevi, Idi Pellantara, Subhalekha, Bandipotu Simham, Intlo Ramayya Veedilo Krishnayya
1983 - Sangarshana, Manthri gari Viyyankudu, Khaidi, Simhapoori Simham, Maa Inti Premayanam, Roshagadu, Maga Maharaju, Gudachari No.1, Puli Bebbuli, Shivudu Shivudu Shivudu, Aalyashikaram, Abhilasha, Palletoori Monagadu
1984 - Rustum, Agnigundam, Naagu, Intiguttu, Challenge, Mahanagaramlo Mayagadu, Devanthakudu, Hero, Goonda, Allulu Vasthunnaru
1985 - Vijetha, Adavi Donga, Raktha Sindhuram, Puli, Jwala, Chiranjeevi, Donga, Chattam Tho Poratam
1986 - Chanakya Shapadham, Dairyavanthudu, Rakshasudu, Chantabbai, Veta, Magadheerudu, Kondaveeti Raja, Kirathakudu
1987 - Jebu Donga, Swayamkrushi, Pasivadi Pranam, Chakravarthy, Aradhana, Donga Mogudu
1988 - Yudda Bhoomi, Trinetrudu, Marana Mrudangam, Khaidi No.786, Yamudiki Mogudu, Rudraveena, Manchi Donga
1989 - Lankeshwarudu Shankar, Rudranetra, State Rowdy, Athaku Yamudu Ammayiki Mogudu
1990 - Raja Vikramarka, Prathibandh, Kodama Simham, Jagadeka Veerudu Athiloka Sundari, Kondaveeti Donga
1991 - Rowdy Alludu, Gang Leader, Stuartpuram Police Station
1992 - Aapathbandhavudu, Aaj Ka Goonda Raj, Gharana Mogudu
1993 - Mechanic Alludu, Mutaa Mesthri
1994 - The Gentleman, S.P.Parasuram, Mugguru Monagallu
1995 - Rikshavodu, Big Boss, Alluda Majaka
1996 - Hitler
1997 - Master
1998 - Choodalani Vundi, Bavagaru Bagunnara
1999 - Iddaru Mitrulu, Sneham Kosam
2000 - Annayya, Hands Up
2001 - Daddy, Manjunatha, Mrugaraju
2002 - Indra
2003 - Anji, Tagore
2004 - Shankar Dada MBBS
2005 - Andarivadu, Jai Chiranjeeva
2006 - Stalin
2007 - Shankardada Zindabad
2008 - Dheerudu
Trisha Krishnan was born on
Her nick name is honey She has two Raakhi-Brothers Manoj Talagadadeevi and Srujan Baddam who stay in US. She is a Tamil/Malayalee Brahmin She wanted to debut in the film industry with the name Suhasini.
She was crowned Miss Chennai in the year 2000 and won Miss Salem in the year 1999 and won Miss India Beautiful Smile in 2001
Trisha started her Movie career with "Leysa Leysa" which is directed by Priyadarshan.. Trisha well suited her role with Surya in Mounam Pesiyadhe and her upcoming movie is 'Abhiyum Naanum' with Prakash Raj which is directed by Radha Mohan. When starting her successful career in Tamil films she is moved to Telugu films.
Her first telugu movie is "Varsham" in 2004. After a big success in the Varsham film, she won Best Actress awards from filmfair and she got best actress award tn Santosham.
Trisha's Second movie is "Nuvvostanante Nenoddantana" directed by Prabhudeva in 2005. In this year she also did "Athadu" with Maheshbabu and she won Nandi award from Government of Andra Pradesh.
In 2007 she did one more family entertainement movie "Adavari matalaku ardhalu verule" opposite popular hero in telugu film industry 'Venkatesh' which was a full of comedy and entertainement..
She also acted along with South Indian film stars like Chiranjeevi, Balakrishna, Nagarjuna, Surya, Prabhas, Mahesh babu, Srikanth and Siddhartha.
Trisha's latest movie 'Bujjigadu' opposite young star in tollywood Prabhas.
Her hobbies are listening to music, reading and swimming.
Filmography:
• Buggigadu -Made in china (2008) .... Chitti
• Kuruvi (2008)
• Bheema (2008)
•
• Aadavari Matalaku Ardhalu Verule (2007) .... Keerthi
... aka AMAV (
• Sainikudu (2006) .... Varalakshmi
• Stalin(2006) .... Chitra
... aka Stalin: Man for the Society (
• Paurnami
(2006)
• Something something (2006)
• Aaru (2005)
• Athadu (2005) .... Puri
• Nuvvustanante Nenoddantana (2005) .... Siri
• Allari Bullodu (2005)
• Ji (2005) (as Trisha)
• Thirupaachi (2005) .... Subha
• Ayitha Ezhuthu (2004) .... Mira
• Varsham (2004) .... Sailaja
• Ennaku 20 unakku 18 (2004)
• Gillie (2004) .... Dhanlakshmi
• Saamy (2003) .... Bhuvana
• Manasellaam (2003) .... Malar
• Nee manasu naaku telusu (2003)
• Mounam Pesiyadhe (2002)
• Laysa laysa (2002)
She is a prominent actress in the tamil and telugu film industry Trisha recently replaced Rani mukarjee as the Brand Ambassador of Fanta
She is glamorous and talented actress. Her immense potential made her a successful actress.
Siva Sankara Vara Prasad. Konidela, better known as Chiranjeevi, was born on
Chiranjeevi entered the film industry with the film Pranam Khareedu in 1978. After this film he played a lot of minor and negative characters in films like Mosagadu, 49 Rojulu, Manavoori Pandavulu. It went on like this until he got the breakthrough with the film Khiladi. The film Khiladi, which released in 1983 in the direction of Kodandarami Reddy was a big hit. It gave him the required push to stay on the top along with some more top actors of that time. With films like Abhilasha (1983), Challenge (1984), Pasivadi Pranam (1987), Atthaku Yamudu Ammayiki Mogudu (1989) etc he succeeded in establishing a name of his own in the film industry. His streak continued into the 90's with films like Jagadeka Veerudu Athiloka Sundari (1990), Kodama Simham (1990), Gang Leader (1991), Rowdy Alludu (1991), and Gharana Mogudu (1992). As with any actor, he also suffered some huge box office disasters like Mechanic Alludu (1993), S.P.Parshuram (1994), Big Boss (1995), and Rikshavodu (1995).
These failures made him very careful about choosing a story, banner, director etc and he took a considerable amount of time sizing what actually went wrong. In 1997 with the film "Master", he again started his success streak that continued with the films like Choodalani Vundi (1998), Bavagaru Bagunnara (1998), and Sneham Kosam (1999). Later in 2002 Chiranjeevi had one more release, Indra. This film turned out to be a huge hit and became the highest grossing film of that year. He won both the Nandi Award and Filmfare Best Actor Award for the film Indra. Later in 2003, he came out with another block buster "Tagore". It was also the highest grossing film of that year. His long-awaited "Anji" released in 2004, but it failed to record the success, despite the high expectations. But with the film Shankardada MBBS, he got another huge success. After this film he was again disappointed by the results of movies like Andarivadu and Jai Chiranjeeva. He also appeared in a guest role in the film style directed by Raghava Lawrence. However with the film Stalin he bounced back onto the track. Currently his film Shankardada Zindabad is on sets, which is the sequel of his previous hit Shankardada MBBS.
Chiranjeevi, in october 1998, founded the Chiranjeevi Charitable Trust(CCT). This trust includes Chiranjeevi Eye bank and Blood banks. It is the largest Blood and Eye bank in the state Andhra Pradesh. So far, the Blood bank has helped over 80,000 people and the Eye bank has helped over 1000 people. This trust has also won the award "Best Voluntary Blood Bank" by the government of Andhra Pradesh for the past 4 years. In 2006, he also founded the Chiranjeevi Charitable Foundation (CCF) which was inaugurated by The president of
With the fact that chiru’s son Ramcharan Teja' movie is going to release very soon, speculations are on the rounds that Chiranjeevi is going step out of the cine field and is going to play an active part in Charity and social service fields. So far Chiranjeevi has done a lot to the Telugu cinema field as a great actor and to the people by his Charitable trust. Whatever his decision may be, Let's hope he keeps doing the good deeds.
Los Angeles 'City of Angeles'- A cultural city full of life 24hours a day 365 days a year. When you come to LA, you will find a city full of fun, glamour & dreams. A City that redefined enjoyment, Los Angeles is a place you would like to come again & again not only because of the glitz & glamour of Hollywood or the attraction of the rich and the famous personalities but also because of the sun soaked beaches of Santa Monica and Venice Beach, this original Toon-Town has more to offer then you can ask for. It helps to know that what is commonly referred to as 'LA' is really 'LA County', a conglomeration of 88 cities of which LA is just one. The heart of the city of Los Angeles is Downtown, about 19 kilometers (12 mi) east of the ocean and hemmed in by the I-10, I-5 and US 101.
There are many places in Los Angeles to visit, few of them are list below:
Disneyland
Six Flags Magic Mountain
Los Angeles Zoo
Los Angeles Convention Center
LA Staples Center
LAX Airport
Burbank Airport
California Los Angeles Studios
--Warner Bros. Studio
--NBC
--CBS
Los Angeles California Beaches
--Venice Beach
--Santa Monica Beach
Los Angeles California Universities
--UCLA
--USC
Hollywood Area Attractions
Hollywood really is the land of dreams to its visitors from this site you can know every thing about Hollywood area attractions like- Universal studio Hollywood, Hollywood walk of fame, Paramount studios, Hollywood sign, Rodeo Drive, Farmers Market, Los Angeles Hollywood Streets & Los Angeles Hollywood Theaters. Know about past and present of these Hollywood attractions & familiarize yourself with Hollywood California.
There are many places in Hollywood to visit, few of them are list below:
Universal Studios Hollywood
Hollywood Walk of Fame
Paramount studios
Hollywood Sign
Rodeo Drive
Farmers Market
Los Angeles Hollywood Streets
--Sunset Boulevard
--Hollywood Boulevard
--Highland Ave
Los Angeles Hollywood Theaters
--Hollywood Bowl Theater
--Grauman Chinese Theater
--Kodak Theater
--Pantages Theater
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